Cool Tools

So, what do you use when you draw?

Contrary to some thoughts on the matter, you can create some awesome art with very simple tools. We’re talking crayons and copy paper. For real. And even if you’re not into creating the next Mona Lisa, the point is to loosen up and have some fun while being creative which is why I wholly support the simple joys of a coloring book!

Of course, it wouldn’t quite work for what I’m trying to do with my comics to use crayons (more’s the pity some days) so, for the curious, here’s what I use

• Strathmore Bristol, Smooth–a very nice sheet of heavy paper with a smooth surface that accepts pencil, ink and brushes with equal ease
• Mars Technico Pencil Lead holder and Staedler 2H leads–this is a fairly hard lead so it makes fairly light lines on the paper, perfect for inking over and dropping out the pencils in Photoshop without having to spend time erasing (which sometimes rubs off the ink, as well–not good!)
• Zig Writer Pens in black–yes, the scrapbooking pens! I love the larger barrel compared to those skinny-minny Microns (which, yes, I also use for one of the comics) and the plastic nib puts up with a little more abuse that felt tips or brush tips
• Occasionally I’ll also use India ink and some small brushes to ink instead.
• Canson 7×10 spiral-bound sketchbook–nice creamy paper with a good tooth that accepts pencils and pens easily, plus it’s small enough to fit in most of my purses without need to draw micro-small
• Crayola (yes, really) colored pencils for loose sketching and Prismacolor colored pencils for more detailed work–the latter are a bit of a splurge and I still wonder if I’m putting them to their best use
• General’s Charcoal pencils–so fun to get big thick lines and shading, if a bit messy
• Photoshop CS4 for the occasional digital color job (really want to get more proficient here!)

Of course, I write all this and realize that I’ve haven’t played with my coloring books lately. Maybe I’ll be able to fit some in tomorrow now that I’m thinking about them again (and just rearranged the bookcase they are stored on).

Now, looking at this list it seems a bit long–I don’t use every tool every day. Usually it’s just one or two at a time, but they’ve all been used in the last month. The point is, each has it’s own uses and it’s up to me to know when and where to employ each tool. It’s not always about having the best tool for the job (as in most expensive, most popular or most hyped) but having the right tool for each. And it’s not just limited to art supplies

* * *

Daily Doodles 3.1.2010

Here’s my doodles for Monday, the 1st. I was a busy doodler last night but 2 of the items aren’t really doodles–the Short Ogre Cook (top right) is actually an inked piece getting ready to be digi-colored for a wallpaper design for the cookbook project and the food icons on the bottom right are for the same project, just a different application. Still, they were all worked on tonight so I decided to collage them in with the real doodle.

That, of course, is my tablescape on the left. Now, this is just a quickie sketch I did of what happened to be in front of me. The lampshade was a little skewed and I exaggerated it in the sketch.

Even though this was not a staged still life (the candles are usually on the entry table but were moved to make way for wedding shower door prizes, the same shower with a beach theme that yeilded the shells and sea glass that are clustered on cheesecloth at the base of the lamp) there are some good bones here for a future study. There are 5 elements–odd numbers are always good! It’s asymetrical, another plus, and the lamp leads the eye down to the candles and the cluster at the bottom which adds movement.

Granted, doodles are like brainstorming: no editing allowed! Show me yours!

Back to the Drawing Board!

Okay, folks, we’re starting on the next of the 64 Arts and it’s drawing! Something I do a fair amount of every week for my comics but also just in general. Are you a doodler? Do you carry a sketch book around with you?

I’m actually bad about sketching for the sake of sketching–usually I try to make every drawing I do count towards a finished piece. After all, with 2 webcomics that updated (up until recently) a total of 5 times a week, there wasn’t much of an opportunity for idle doodles. I’ve cut back some of my update schedule but more because I’ve got more projects to spread myself around on but I’m also trying to doodle more, too. As such, I’m keeping a medium-sized sketch book in my purse for any sort of random inspiration that might strike.

I think this week might be good for some projects, don’t you? This week’s challenge is to draw something every day. Whether it’s a self-portrait, a tree, a flower or something entirely from your imagination, get out your pencils, pens, crayons, markers, chalks or whatever else you want to play with and draw something every day.

Want to play along? Post in the comments a link to your drawing a day (I’ll post mine here) and I’ll put everyone’s name in a hat at the end of the week and give away a hand-bound notebook that you can use for a journal, sketchbook or whatever you want to do with it!

Ready? Set? Draw!

Loosen Up and Laugh

“Common sense and a sense of humor are the same thing, moving at different speeds. A sense of humor is just common sense, dancing.”
~William James

Doesn’t that just paint the neatest picture?

When I was growing up, Mom claimed that while I had a genius-level IQ (140-something, for what it’s worth) I had absolutely no common sense. Granted, this was during the teenage years when mothers and daughter are notorious for not seeing eye to eye. I wonder, then, if I was really as clueless as I seemed to her, or if our respective common senses were just moving at different speeds?

If the opening quote is to be taken as true, then my common sense spends a lot of time dancing.

Common sense (aside from sometimes not being all that common), is kind of boring. Of course, it comes in handy every day. Every little decision we make takes common sense into consideration. It’s sort of like breathing or walking, that way: we have to do it, so let’s get on with it, already.

Meanwhile, our sense of humor likes to look at things differently, it says, if we have to get from here to there, why walk when we can skip or, better yet, electric slide our way over? (Yes, I went there, you know you want to… go on, it won’t hurt anything).

Dancing in general makes us laugh. I mean, what’s funnier than catching sight of yourself (or someone else, even better) gyrating to a song in a mirror or passing window? If it doesn’t make you at least grin, maybe it’s because you wish you could be that free?

Do some dancing today, mentally and physically, and laugh–not at yourself, but with yourself. I will if you will!

Body Language

“I see dance being used as communication between body and soul, to express what it too deep to find for words.” ~Ruth St. Denis

How can we watch a performance and follow a story with no words? Why do we weep at the play between dancers on stage during sad on poignant moments? What is something so intangible that one look can convey a page’s worth of information? Sure, the music helps a lot and if there’s a program it might give us a little synopsis to follow, but in the end…

It all comes down to body language.

Dancing is more than just moving your feet in a prescribed pattern of steps. Dance involves the entire body, every muscle–even some you never knew you had!* This includes all those muscles in the face that smile, frown, grimace and do everything else. (q.v. “With One Look” from Sunset Boulevard)

Sometimes there are no words.

Usually it’s in times of grief that words take a back seat but even in happy moments, sometimes it’s best to beam at someone’s happy news, jump up and down, clap your hands and just be excited with them rather than say something. Why? Because words are more easily misunderstood than actions.

Any question you ask of a celebrant can (unintentionally, I’m sure) pinpoint that spark of insecurity that even the most self-confident person possesses. You end up in a “why can’t you just be happy for me” kind of thing. By the same token, a true smile has no subtext. Just the way a cold shoulder given to another will more effectively communicate disdain and dislike than a tirade of angry, hurtful words.

So when we dance on stage for others or just delicately step our way through human moments of the day-to-day, it helps to remember that our body’s are talking, too. Sometimes more loudly than our words.

The All-Important Rhythm

“Dance is your pulse, your heartbeat, your breathing. It’s the rhythm of your life. It’s the expression in time and movement, in happiness, joy, sadness and envy.”
~Jaques D’ambroise

And 5, 6, 7, 8–

Rhythm. Some say you either have it or you don’t. I think if a person is willing they can learn to find rhythms and follow them, though it might take a bit more effort for some.

A rhythm is a pattern. Count an even 1-2-3-4 and you have a simple rhythm. Usually the emphasis in music falls on the first (the downbeat) and third beats, with rock ‘n roll and R&B favoring back-beats or the 2nd and 4th beats. Of course, a beat or count can be subdivided a lot and rearranged so that it can take some effort to fit the counts of a dance to the rhythm of the music you are dancing to.

The rhythm floating through my head, as I type, would be counted 1-2-3-and-a-4-and-a (from Higher Ground, the RHCP cover).

Interpretation is a glorious thing in music. It’s what sets the true musician apart from someone playing notes on a horn. In dance, anyone can memorize a set of steps or movements. The dancer, though, imbues them with life, with style, with grace.

Recognizing rhythm is important because you can count off the choreography diligently but if you’re not matching the music, there will be a disconnect. You’ll be out of sync. It just won’t feel right. And if anyone is watching you? Chances are they’ll see it, too.

This can happen with people.

Humans are wonderfully varied individuals and we all have our little quirks. These personality traits make us who we are. But what we aren’t, always, is a perfect fit. Finding the people we click with starts with finding our own rhythm, figuring out the dance steps in our own life, first. Then, when we meet others, it’s easier to see (or hear) when our rhythms match up.

Sometimes people don’t “mesh well.” This can happen both in personal and professional situations. In the latter, you almost have to try and boil it down to it’s basic rhythms and find a common ground–sometimes it works, sometimes it doesn’t. In personal situations it’s (occasionally!) easier to find a new dance partner than make a 3/4 and a 4/4 match up.

My middle school band director used to challenge us to keep 4/4 time with one hand while keeping 3/4 waltz with the other. He could do it if he concentrated, I still can’t get it. Give it a try and let me know if you can do it (remember, the trick is that the four beats of one and the three beats of the other both take the same amount of time to complete).

* * *

By the way, when I was writing for eHow.com, I wrote an article about choosing a dance teacher. If you’re thinking of plunging into the fun and learning to dance from a pro, give it a read. Not every teacher was made for every student, but when you find a good one you get way more than you pay for!