I’m so glad I finally told the roof tale last week and got it out of the way before today, the anniversary of our buying the Gingerbread Dollhouse.
We had some ups and a number of downs this year, but overall we’re still very happy to be homeowners, especially of the Dollhouse.
For the paper anniversary I’m afraid we haven’t done anything special for our pink lady–unless you count throwing dollars at her! As I mentioned, before, we were waiting until our taxes were tallied for 2014, just in case we owed anything (we did, but it wasn’t as bad as we were afraid–a busy convention season helped offset some of it), before starting any major renovations. Taxes were submitted on Sunday so we’re more or less clear to plan, right?
Except for a little analysis paralysis, that is: too many choices, too many places we could start.
But let’s go back to paper for a minute, shall we? Namely: wall paper.
We get a lot of compliments on the pretty rose wallpaper in the front hall and stairwell, but it’s just not in great shape. I thought I had my mind made up that we wouldn’t paper any of the walls, but I’m so used to seeing this pattern I’m afraid the entry would look terribly boring if we just chose a color scheme and painted.
If I’ve learned one thing from all the Victorian home magazines I read while we not-so-patiently waited (3 months, 3 weeks, and 3 days) to close, it’s that Bradbury & Bradbury is THE place to go for period-perfect wall papers. They are beautifully silk-screened art wallpapers made in California and the weight of the samples I received is amazing: not too flimsy, but not as heavy as some wallpaper samples I’ve crafted with in the past.
It so happens that Bradbury & Bradbury is also the wallpaper of choice for a very popular “landmark” of a slightly more modern era…
Yup, the Haunted Mansion. In fact, they use patterns from the Victorian-Era Dresser II (named for designers Christopher Dresser, 1834-1904) in the Ashes of Roses colorway.
I ordered samples of both the Ashes of Roses colorway as well as the Terra Cotta/Burgundy colorway as well.
The “Lily” pattern is a touch too busy for my taste, but the Roland could definitely work, at least going up the stairs at about chair rail-height, topped with the Pinstripe Border. Above that, we might stick to just paint or use one of the more subtle patterns (not grabbed in the above screenshot), the Plaza Ceiling with its metallic pattern.
Now, it goes without saying that these are beautiful patterns in their own right, but the fact that they have a tie to one of our favorite places without being obnoxiously obvious is the kind of fun trivia that makes the decision more compelling.
I don’t know when we’ll bite the bullet and repaper the stairwell, but I’m almost certain it’ll be with this paper. Of course, there’s the not-so-small matter of needing to replace the front door (and the back door, and while we’re at it maybe the kitchen door, too) and frame, which means finding one I like that doesn’t look too modern for the house and in a material that Todd’s comfortable with that (of course) won’t break the bank.
Here’s to many long years ahead of us in the Dollhouse!